TY - BOOK T1 - Case, strip, action ! Les feuilletons en bandes dessinées dans les magazines pour la jeunesse (1946-1959) Y1 - 2017 A1 - Borel, Marine A1 - Oesterlé, Raphaël ED - Boillat, Joanna ED - Revaz, Françoise AB -

 Précurseurs des séries télévisées, les histoires à suivre qui paraissaient en bandes dessinées dans des hebdomadaires pour la jeunesse tels que Le Journal de Tintin, Spirou ou Tarzan ont tenu en haleine les jeunes lecteurs de l’après-guerre et façonné leur imaginaire, mais n’ont à ce jour guère fait l’objet d’études détaillées. Richement illustré, cet ouvrage se propose de faire connaître une production foisonnante et emblématique de la culture populaire de la période 1946-1959 en l’envisageant sous l’angle de l’histoire de la bande dessinée, de l’étude du récit et de l’intermédialité. Les auteurs y soulignent notamment les liens entre BD et cinéma, tant sur un plan théorique (logique du feuilleton, rythme narratif, découpage de l’action) qu’analytique (adaptations de films en BD).

 

Alain Boillat est professeur à la Section d’histoire et esthétique du cinéma de la Faculté des lettres de l’Université de Lausanne. Ses dernières recherches portent sur l’histoire des liens entre bande dessinée et cinéma. Marine Borel réalise actuellement une thèse de doctorat en linguistique française à l’Université de Fribourg et à l’Université de Lorraine. Raphaël Oesterlé est licencié en Histoire et esthétique du cinéma à l’Université de Lausanne. Il mène une thèse sur les périodiques de bandes dessinées francophones de l’après-guerre. Françoise Revaz est professeure de linguistique française à la Faculté des Lettres de l’Université de Fribourg. Elle a fondé, avec R. Baroni, le Réseau Romand de Narratologie.

PB - infolio SN - 978-2-88474-821-6 UR - http://www.decitre.fr/livres/case-strip-action-9782884748216.html ER - TY - BOOK T1 - Computational and Cognitive Approaches to Narratology Y1 - 2016 A1 - Takashi, Ogata A1 - Taisuke, Akimoto KW - Computers / Information Technology KW - Language Arts & Disciplines / Communication Studies KW - Language Arts & Disciplines / Rhetoric AB -

Studying narratives is often the best way to gain a good understanding of how various aspects of human information are organized and integrated—the narrator employs specific informational methods to build the whole structure of a narrative through combining temporally constructed events in light of an array of relationships to the narratee and these methods reveal the interaction of the rational and the sensitive aspects of human information.Computational and Cognitive Approaches to Narratology discusses issues of narrative-related information and communication technologies, cognitive mechanism and analyses, and theoretical perspectives on narratives and the story generation process. Focusing on emerging research as well as applications in a variety of fields including marketing, philosophy, psychology, art, and literature, this timely publication is an essential reference source for researchers, professionals, and graduate students in various information technology, cognitive studies, design, and creative fields.

PB - IGI Global CY - Hershey PA SN - 978-1-5225-0433-7 N1 - Google-Books-ID: OfG0DAAAQBAJ ER - TY - BOOK T1 - Conceptual Structures in Practice Y1 - 2016 A1 - Hitzler, Pascal A1 - Scharfe, Henrik KW - Computers / Databases / Data Mining KW - Computers / Databases / General KW - Computers / General KW - Computers / Software Development & Engineering / Systems Analysis & Design KW - Technology & Engineering / Automation KW - Technology & Engineering / Electronics / General AB - Exploring fundamental research questions, Conceptual Structures in Practice takes you through the basic yet nontrivial task of establishing conceptual relations as the foundation for research in knowledge representation and knowledge mining. It includes contributions from leading researchers in both the conceptual graph and formal concept analysis (FCA) communities. This accessible, self-contained book begins by providing the formal background in FCA and conceptual graphs. It then describes various software tools for analysis and computation, including the ToscanaJ suite. Written by the original visionaries of the field, the next section discusses the history and future directions of conceptual structures. The final chapters explore prominent application areas in computer science, including text analysis, web semantics, and intelligent systems. An unprecedented, state-of-the-art overview from innovators in the field, this volume discusses how FCA and conceptual graphs can be used in many computer science areas. It serves as a benchmark of research on conceptual structures, inspiring further exploration in this discipline. PB - CRC Press CY - Boca Raton/London/New York SN - 978-1-4200-6063-8 N1 - Google-Books-ID: HxS6ktUMQNEC ER - TY - JOUR T1 - Difficult Empathy. The Effect of Narrative Perspective on Readers’ Engagement with a First-Person Narrator JF - DIEGESIS Y1 - 2016 A1 - van Lissa, Caspar J. A1 - Caracciolo, Marco A1 - van Duuren, Thom A1 - van Leuveren, Bram VL - 5 UR - https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/view/211 ER - TY - BOOK T1 - Facing Loss and Death: Narrative and Eventfulness in Lyric Poetry Y1 - 2016 A1 - Hühn, Peter KW - Language Arts & Disciplines / General KW - Literary Criticism / General AB - This study proposes the application of the methodology of narratology to the analysis of lyric poetry, specifically focusing on the progression and eventful turns in poems. The fruitfulness of this approach is demonstrated by the analyses of English poems from different periods addressing the traumatic experience of loss (death of a beloved person, one’s own imminent death, loss of a stabilizing order) and employing various coping strategies. PB - Walter de Gruyter GmbH & Co KG SN - 978-3-11-048498-4 N1 - Google-Books-ID: j3vqDAAAQBAJ ER - TY - BOOK T1 - Film Text Analysis: New Perspectives on the Analysis of Filmic Meaning Y1 - 2016 A1 - Wildfeuer, Janina A1 - Bateman, John A. KW - Language Arts & Disciplines / Linguistics / General KW - Performing Arts / Film & Video / General KW - Social Science / Media Studies AB - This book examines film as a multimodal text and an audiovisual synthesis, bringing together current work within the fields of narratology, philosophy, multimodal analysis, sound as well as cultural studies in order to cover a wide range of international academic interest. The book provides new insights into current work and turns the discussion towards recent research questions and analyses, representing and constituting in each contribution new work in the discipline of film text analysis. With the help of various example analyses, all showing the methodological applicability of the discussed issues, the collection provides novel ways of considering film as one of the most complex and at the same time broadly comprehensible texts. PB - Routledge CY - New York SN - 978-1-317-43421-4 N1 - 00000 Google-Books-ID: _hwxDQAAQBAJ ER - TY - BOOK T1 - How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination Y1 - 2016 A1 - Pettersson, Bo KW - Language Arts & Disciplines / General KW - Literary Criticism / General AB - How Literary Worlds Are Shaped studies a wide variety of literature across cultures and ages. The main aim is to show that literature all over the world has for millennia employed an array of related themes and techniques. By its broad scope and detailed analysis, this volume offers the first extensive comparative account of the makings of literary worlds. PB - Walter de Gruyter CY - Berlin SN - 978-3-11-048631-5 N1 - Google-Books-ID: 8OUXDQAAQBAJ ER - TY - JOUR T1 - Introduction: Approaches to Fictional Dialogue JF - International Journal of Literary Linguistics Y1 - 2016 A1 - Koivisto, Aino A1 - Nykänen, Elise AB -

This special issue is devoted to a cross-disciplinary investigation of a specific literary phenomenon, fictional dialogue. Fictional dialogue is used to refer to passages of character-character conversation within a literary text. More specifically, the articles of the issue deal with fictional dialogue as a narrative mode in prose fiction. The issue aims to engender an appreciation and a better understanding of the workings of dialogue by drawing on the insights and methods from both literary studies and linguistics. These methods include a rhetorical-ethical approach to narrative, cognitive and “natural” narratology, the study of everyday conversational storytelling, and Conversation Analysis (CA). Combining these methods helps us to understand that while dialogue is a central means to depict character-character relationships it also serves other levels of communication in a narrative and thus contributes to the reader's comprehension of the narrative design's rhetorical and ethical dimensions. The articles also suggest that while understanding dialogue depends partly on the reader’s experiences of real-life conversation, the interpretation of dialogue is determined by the overall design of a literary text and the historically changing conventions.

VL - 5 UR - http://www.ijll.uni-mainz.de/index.php/ijll/article/view/56 ER - TY - JOUR T1 - Introduction. Nouveaux Contours & Détours JF - Cahiers de Narratologie. Analyse et théorie narratives Y1 - 2016 A1 - Comoy Fusaro, Edwige KW - Monde AB - Ce numéro des Cahiers de Narratologie présente la deuxième livraison des actes du colloque transdisciplinaire et international de septembre 2015, « Street Art. Contours & Détours ». Les six contributions réunies ici, comme celles du numéro 29, présentent à la fois des essais théoriques et des études de cas. Ce numéro apporte donc quelques nouvelles pierres à la mosaïque des définitions du phénomène – et mouvement – qu’est le street art : mosaïque ou kaléïdoscope, car c’est un art in progress,... UR - http://narratologie.revues.org/7468 N1 - 00000 ER - TY - BOOK T1 - Narrating Space / Spatializing Narrative: Where Narrative Theory and Geography Meet Y1 - 2016 A1 - Ryan, Marie-Laure A1 - Foote, Kenneth A1 - Azaryahu, Maoz KW - Language Arts & Disciplines / Rhetoric KW - Literary Criticism / General KW - Social Science / Human Geography AB - Narrating Space / Spatializing Narrative: Where Narrative Theory and Geography Meet by Marie-Laure Ryan, Kenneth Foote, and Maoz Azaryahu offers a groundbreaking approach to understanding how space works in narrative and narrative theory and how narratives work in real space. Thus far, space has traditionally been viewed by narratologists as a backdrop to plot. This study argues that space serves important but under-explored narrative roles: It can be a focus of attention, a bearer of symbolic meaning, an object of emotional investment, a means of strategic planning, a principle of organization, and a supporting medium. Space intersects with narrative in two principal ways: ''Narrating space'' considers space as an object of representation, while ''spatializing narrative'' approaches space as the environment in which narrative is physically deployed. The inscription of narrative in real space is illustrated by such forms as technology-supported locative narratives, street names, and historical/heritage site and museum displays. While narratologists are best equipped to deal with the narration of space, geographers can make significant contributions to narratology by drawing attention to the spatialization of narrative. By bringing these two approaches together–and thereby building a bridge between narratology and geography–Narrating Space / Spatializing Narrative yields both a deepened understanding of human spatial experience and greater insight into narrative theory and poetic forms. PB - Ohio State University Press CY - Columbus SN - 978-0-8142-1299-8 N1 - Google-Books-ID: B9iTjgEACAAJ ER - TY - BOOK T1 - Narrative im Bruch: Theoretische Positionen und Anwendungen Y1 - 2016 A1 - Babka, Anna A1 - Bidwell-Steiner, Marlen A1 - Müller-Funk, Wolfgang KW - Language Arts & Disciplines / General AB - This book centers on narrative rupture, seeking to elucidate its role as a primary epistemological tool. Rupture can be conceived of as a ‘travelling concept’ (Bal 2002), as a basic cognitive instrument. On account of its elementary structure and rich semiotic implications, it has traversed academic time and space, serving ever more as an integral part of a wide variety of artistic, intellectual and ideological paradigms. This first volume of a series dealing with the relationship between narration and rupture approaches the concept of narrative disruption on a meta-methodological level. By laying the foundations for a general cultural theory of narrative rupture, we hope to contribute to the larger project of a narratology-based theory of culture. PB - V&R Unipress CY - Göttingen SN - 978-3-8470-0596-4 N1 - Google-Books-ID: fHLpDAAAQBAJ ER - TY - BOOK T1 - The Narratology of Comic Art Y1 - 2016 A1 - Mikkonen, Kai AB - By placing comics in a lively dialogue with contemporary narrative theory, "The Narratology of Comic Art" builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology. PB - Taylor & Francis CY - London SN - 978-1-138-22155-0 N1 - Google-Books-ID: xq3vvQAACAAJ ER - TY - JOUR T1 - Polyphonies : voix et valeurs du discours littéraire : Introduction JF - Arborescences Y1 - 2016 A1 - Langevin, Francis A1 - Baroni, Raphaël UR - http://www.erudit.org/revue/arbo/2016/v/n6/index.html IS - 6 N1 - 00000 ER - TY - BOOK T1 - Subjectivity Across Media: Interdisciplinary and Transmedial Perspectives Y1 - 2016 A1 - Reinerth, Maike Sarah A1 - Thon, Jan-Nol AB - Maike Sarah Reinerth is a Research Associate at the Department of Media and Communication of the University of Hamburg, Germany Jan-Noel Thon is a Research Associate at the Department of Media Studies of the University of Tubingen, Germany" PB - Taylor & Francis SN - 978-1-138-18675-0 N1 - Google-Books-ID: pwNajwEACAAJ ER - TY - BOOK T1 - Télévision 7 : Repenser le récit avec les séries télévisées Y1 - 2016 ED - Baroni, Raphaël ED - Jost, Francois AB - Depuis une vingtaine d'années, de nouvelles séries sont apparues dont on reconnaît qu'elles savent exploiter un formidable levier : une temporalité indéfinie et ouverte. Les héros ne sont plus ces êtres monolithiques, insensibles au travail du temps, mais des individus qui vieillissent en même temps que nous. De nouvelles façons d'articuler les intrigues apparaissent, jouant sur les emboîtements entre épisodes, saisons et série. Flashbacks et flashforwards, enchâssements et jeux sur les points de vue nous donnent accès à de nouveaux modes de narration. Si les séries changent nos visions du monde, ce n'est pas seulement par ce qu'elles en disent, mais d'abord par la façon dont elles le racontent. Ainsi, à leur manière, les séries nous obligent à repenser le récit. PB - CNRS CY - Paris SN - 978-2-271-09161-1 UR - http://www.cnrseditions.fr/sociologie/7256-television-7.html N1 - 00000 ER - TY - BOOK T1 - Théâtre et récit, l'impossible rupture - Narrativité et spectacle postdramatique (1975-2004) T2 - Études sur le théâtre et les arts de la scène Y1 - 2016 A1 - Hennaut, Benoît AB -

L'ouvrage propose une analyse nuancée de la poétique non-narrative de trois artistes postdramatiques au cours des années 1980 et 1990. À l'appui de douze spectacles et de leur réception, l'auteur y fait dialoguer narratologie contemporaine, écritures théâtrales et intuitions narratives. This work offers a nuanced analysis of the non-narrative poetics of three post-dramatic artists in 1980 and 1990. Drawing on twelve performances and how they were received, the author sets up a dialogue between contemporary narratology, dramatic writing and narrative intuitions.

JF - Études sur le théâtre et les arts de la scène PB - Classiques Garnier CY - Paris SN - 978-2-406-06007-9 UR - https://www.classiques-garnier.com/editions/index.php?option=com_virtuemart&page=shop.product_details&flypage=flypage_garnier.tpl&product_id=2580 ER - TY - BOOK T1 - Closed Circuits: Screening Narrative Surveillance Y1 - 2015 A1 - Stewart, Garrett KW - Art / Film & Video KW - Literary Criticism / General KW - Performing Arts / Film & Video / History & Criticism KW - Performing Arts / General AB - The recent uproar over NSA dataveillance can obscure the fact that surveillance has been part of our lives for decades. And cinema has long been aware of its power—and potential for abuse. In Closed Circuits, Garrett Stewart analyzes a broad spectrum of films, from M and Rear Window through The Conversation to Déjà Vu, Source Code, and The Bourne Legacy, in which cinema has articulated—and performed—the drama of inspection’s unreturned look. While mainstays of the thriller, both the act and the technology of surveillance, Stewart argues, speak to something more foundational in the very work of cinema. The shared axis of montage and espionage—with editing designed to draw us in and make us forget the omnipresence of the narrative camera—extends to larger questions about the politics of an oversight regime that is increasingly remote and robotic. To such a global technopticon, one telltale response is a proliferating mode of digitally enhanced “surveillancinema.” PB - University of Chicago Press CY - Chicago SN - 978-0-226-20135-1 N1 - Google-Books-ID: vBsjBgAAQBAJ ER - TY - BOOK T1 - Creating Legal Worlds: Story and Style in a Culture of Argument Y1 - 2015 A1 - Henderson, Greig KW - History / General KW - Law / Administrative Law & Regulatory Practice KW - Law / Jurisprudence AB - A legal judgment is first and foremost a story, a narrative of facts about the parties to the case. Creating Legal Worlds is a study of how that narrative operates, and how rhetoric, story, and style function as integral elements of any legal argument. Through careful analyses of notable cases from Canada, the United States, and the United Kingdom, Greig Henderson analyses how the rhetoric of storytelling often carries as much argumentative weight within a judgement as the logic of legal distinctions. Through their narrative choices, Henderson argues, judges create a normative universe - the world of right and wrong within which they make their judgements - and fashion their own judicial self-images. Drawing on the work of the law and literature movement, Creating Legal Worlds is a convincing argument for paying close attention to the role of story and style in the creation of judicial decisions. PB - University of Toronto Press CY - Toronto SN - 978-1-4426-3708-5 N1 - Google-Books-ID: pLDoCQAAQBAJ ER -