Biblio

Export 95 results:
2018
M. Wagner, The Narratology of Observation, Studies in a Technique of European Literary Realism. Berlin, Boston: De Gruyter, 2018.
M. Caracciolo, Notes for an econarratological theory of character, Frontiers of Narrative Studies, vol. 4, no. s1, pp. s172 - s189, 2018.
M. Figlerowicz, The Novel of Infinite Storage, Poetics Today, vol. 39, pp. 201–219, 2018.
M. Puxan-Oliva, On the politics of discordant, estranging and bonding reliability: Contextualist narratology at work, Frontiers of Narrative Studies, vol. 4, no. s1, pp. s190 - s212, 2018.
M. Jobert and Sorlin, S., The Pragmatics of Irony and Banter. Amsterdam: John Benjamins Publishing Company, 2018.
D. Candel, A report on the reports of the stanford literary lab: A reason why the digital humanities may find it difficult to change literary history, Semiotica, vol. 2018, pp. 111–134, 2018.
T. Köppe and Singer, R., Show, don't tell: Konzepte und Strategien anschaulichen Erzählens. Aisthesis Verlag, 2018.
J. Horstmann, Theaternarratologie, Ein erzähltheoretisches Analyseverfahren für Theaterinszenierungen. Berlin, Boston: De Gruyter, 2018.
R. Vogt, Theorie und Typologie narrativer Unzuverlässigkeit am Beispiel englischsprachiger Erzählliteratur. Berlin, Boston: De Gruyter, 2018.
K. Nayebpour, The Uses of Storytelling in Khaled Hosseini’s The Kite Runner, Hacettepe University Journal of Faculty of Letters, vol. 35, no. 1, pp. 1-11, 2018.
K. Speidel, What narrative is, Frontiers of Narrative Studies, vol. 4, no. s1, pp. s76 - s104, 2018.
2017
Activation of Empathy Feelings in Raymond Carver’s "A Small, Good Thing", Selçuk Üniversitesi Edebiyat Fakültesi Dergisi (SEFAD) / Selçuk University Journal of Faculty of Letters, vol. 38, pp. 265-278, 2017.
K. Nayebpour, The Ambivalent Nature of Colonial Mimicry in Hanif Kureishi’s “My son the fanatic”, ANQ-A QUARTERLY JOURNAL OF SHORT ARTICLES NOTES AND REVIEWS, vol. 31, no. 1, pp. 55-60, 2017.
J. Ángel G. A. R. LANDA, A Bibliography of Literary Theory, Criticism and Philology (22nd Edition). 2017.
M. Borel and Oesterlé, R., Case, strip, action ! Les feuilletons en bandes dessinées dans les magazines pour la jeunesse (1946-1959). infolio, 2017.
S. Hven, Cinema and Narrative Complexity: Embodying the Fabula. Amsterdam: Amsterdam University Press, 2017.
S. Hven, Cinema and narrative complexity: embodying the Fabula. Amsterdam: Amsterdam University Press, 2017.
C. Harrison, Cognitive Grammar in Contemporary Fiction. John Benjamins Publishing Company, 2017.
J. Ángel G. A. R. LANDA and Suárez, L. Paz Rodrí, Eds., Corporalidad, Temporalidad, Afectividad. Perspectivas filosófico-antropológicas. Berlin: Logos Verlag, 2017.
D. Letzler, The Cruft of Fiction: Mega-Novels and the Science of Paying Attention. U of Nebraska Press, 2017.
P. Krogh Hansen, Pier, J., Roussin, P., and Schmid, W., Emerging Vectors of Narratology. Berlin, Boston: De Gruyter, 2017.
M. Martínez and Scheffel, M., Erzählen und Wissen, DIEGESIS Interdisziplinäres. E-Journal für Erzählforschung, vol. 6, 2017.
E. Rundquist, Free Indirect Style in Modernism: Representations of consciousness. Amsterdam: John Benjamins Publishing Company, 2017.
B. Schiff, A. McKim, E., and Patron, S., Life and Narrative: The Risks and Responsibilities of Storying Experience. Oxford University Press, 2017.
K. Nayebpour, Mind Presentation in Ian McEwan's Fiction: Consciousness and the Presentation of Character in Amsterdam, Atonement, and On Chesil Beach. Stuttgart: ibidem Press (via Colombia University Press), 2017.

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ENN is the European Narratology Network, an association of individual narratologists and narratological institutions. ENN aims to foster the study of narrative representation in literature, film, digital media, etc. across all European languages and cultures.