Biblio

Export 115 results:
2018
J. Pier, “Two Decades after the Publication of Monika Fludernik's Towards a 'Natural' Narratology: Introduction to the Forum”, Partial Answers: Journal of Literature and the History of Ideas, vol. 16, pp. 239–242, 2018.
K. Nayebpour, “The Uses of Storytelling in Khaled Hosseini’s The Kite Runner”, Hacettepe University Journal of Faculty of Letters, vol. 35, no. 1, pp. 1-11, 2018.
K. Speidel, “What narrative is”, Frontiers of Narrative Studies, vol. 4, no. s1, pp. s76 - s104, 2018.
2017
“Activation of Empathy Feelings in Raymond Carver’s "A Small, Good Thing"”, Selçuk Üniversitesi Edebiyat Fakültesi Dergisi (SEFAD) / Selçuk University Journal of Faculty of Letters, vol. 38, pp. 265-278, 2017.
K. Nayebpour, “The Ambivalent Nature of Colonial Mimicry in Hanif Kureishi’s “My son the fanatic””, ANQ-A QUARTERLY JOURNAL OF SHORT ARTICLES NOTES AND REVIEWS, vol. 31, no. 1, pp. 55-60, 2017.
J. Ángel G. A. R. LANDA, “A Bibliography of Literary Theory, Criticism and Philology (22nd Edition)”. 2017.
M. Borel and Oesterlé, R., Case, strip, action ! Les feuilletons en bandes dessinées dans les magazines pour la jeunesse (1946-1959). infolio, 2017.
S. Hven, Cinema and Narrative Complexity: Embodying the Fabula. Amsterdam: Amsterdam University Press, 2017.
S. Hven, Cinema and narrative complexity: embodying the Fabula. Amsterdam: Amsterdam University Press, 2017.
C. Harrison, Cognitive Grammar in Contemporary Fiction. John Benjamins Publishing Company, 2017.
J. Ángel G. A. R. LANDA and Suárez, L. Paz Rodrí, Eds., Corporalidad, Temporalidad, Afectividad. Perspectivas filosófico-antropológicas. Berlin: Logos Verlag, 2017.
D. Letzler, The Cruft of Fiction: Mega-Novels and the Science of Paying Attention. U of Nebraska Press, 2017.
P. Krogh Hansen, Pier, J., Roussin, P., and Schmid, W., Emerging Vectors of Narratology. Berlin, Boston: De Gruyter, 2017.
M. Martínez and Scheffel, M., “Erzählen und Wissen”, DIEGESIS Interdisziplinäres. E-Journal für Erzählforschung, vol. 6, 2017.
E. Rundquist, Free Indirect Style in Modernism: Representations of consciousness. Amsterdam: John Benjamins Publishing Company, 2017.
B. Schiff, A. McKim, E., and Patron, S., Life and Narrative: The Risks and Responsibilities of Storying Experience. Oxford University Press, 2017.
K. Nayebpour, Mind Presentation in Ian McEwan's Fiction: Consciousness and the Presentation of Character in Amsterdam, Atonement, and On Chesil Beach. Stuttgart: ibidem Press (via Colombia University Press), 2017.
K. Nayebpour, Mind Presentation in Ian McEwan's Fiction: Consciousness and the Presentation of Character in Amsterdam, Atonement, and On Chesil Beach. Stuttgart: ibidem Press, 2017.
P. Olmos, Narration as Argument. Springer, 2017.
S. Marlar Lwin, “Narrativity and creativity in oral storytelling: Co-constructing a story with the audience”, Language and Literature, vol. 26, pp. 34–53, 2017.
K. Nayebpour, “Narrativity in The Thousand and One Nights”, Advances in Language and Literary Studies, vol. 8, no. 4, pp. 85-90, 2017.
A. Lass, “Obituary Lubomír Doležel”. 2017.
S. Copland and Olson, G., The Politics of Form. London: Routledge, 2017.
K. Kukkonen, A Prehistory of Cognitive Poetics: Neoclassicism and the Novel. Oxford: Oxford University Press, 2017.
M. Grüne, Realistische Narratologie, Otto Ludwigs "Romanstudien" im Kontext einer Geschichte der Erzähltheorie. Berlin, Boston: De Gruyter, 2017.

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ENN is the European Narratology Network, an association of individual narratologists and narratological institutions. ENN aims to foster the study of narrative representation in literature, film, digital media, etc. across all European languages and cultures.

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