Biblio
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Subjectivity Across Media: Interdisciplinary and Transmedial Perspectives. Taylor & Francis, 2016.
, Télévision 7 : Repenser le récit avec les séries télévisées. Paris: CNRS, 2016.
, Théâtre et récit, l'impossible rupture - Narrativité et spectacle postdramatique (1975-2004). Paris: Classiques Garnier, 2016.
, Closed Circuits: Screening Narrative Surveillance. Chicago: University of Chicago Press, 2015.
, Creating Legal Worlds: Story and Style in a Culture of Argument. Toronto: University of Toronto Press, 2015.
, “Moving Picture, Lying Image: Unreliable Cinematic Narratives”, Acta Universitatis Sapientiae Film and Media Studies , vol. 10, 2015.
, “Representation of a Disrupted Mind and Anguished Self in Samuel Beckett’s The Unnamable”, Mediterranean Journal of Social Sciences, vol. 6, no. 4, pp. 462-468, 2015.
, “Intramental Fictional Minds in Ian McEwan’s Amsterdam and On Chesil Beach”, Forum for World Literature Studies, vol. 6, no. 4, pp. 618-635, 2014.
, “Is There a Context-Free Way of Understanding Texts? The Case of Structuralist Narratology”, Journal of Literary Theory, vol. 8, pp. 118–139, 2014.
, Mind, Brain and Narrative. Cambridge University Press, 2012.
, “Navigating–Making Sense–Interpreting (The Reader behind La Jalousie)”, in Narrative, Interrupted: The Plotless, the Disturbing and the Trivial in Literature, Berlin: Walter de Gruyter, 2012.
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