Computational Approaches to Narrative Space in 19th and 20th Century Novels" (CANSpiN; ab April 2023 an der Universität Rostock).
– 65% TVL-13; auf drei Jahre befristet – Teil des DFG-Schwerpunktprogramms Computational Literary Studies 

https://jobs.uni-rostock.de/jobposting/4ca77973b0c0a8a468306ba423fe47394...

Adopter le rôle d’un autre membre de la communauté est indissociable de l’expérience de voir la réalité sous un autre angle, mais aussi de s’approprier bien que momentanément une manière de faire qui devient en temps normal interdite ou impossible pour celui qui se transforme.

https://global.oup.com/academic/product/beckett-and-the-cognitive-method...

Research into narrative and music is often an either/or story: either music cannot be narrative at all or it definitely is. During this conference, we take the narrativity of music as a starting point, but consider it to be scalar. This allows for more fruitful discussions about narrative and music.

Music itself can tell a story, but it can also add to a story conveyed by other media. This conference also wants to offer a platform for researchers working on intermedial art that includes music in all its shapes and forms. Think of film, radio plays, opera, or games.
For further information: narrativeandmusic@gmail.com

"Il conoscibile nel cuore del mistero. Dialoghi su Gérard Genette". A cura di Stefano Ballerio e Filippo Pennacchio. Milano: Ledizioni, 2021.